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A Very Different Country House – Our Day at Sudbury

Country houses aren't usually places where you're encouraged to play with pirate ships, investigate old toys or discover a Dalek lurking amongst the exhibits, but The Children's Country House at Sudbury isn't a typical country house.

John, Sue and George standing outside the country house at Sudbury
The three of us outside the country house

Country houses aren't usually places where you're encouraged to play with pirate ships, investigate old toys or discover a Dalek lurking amongst the exhibits, but The Children's Country House at Sudbury isn't a typical country house.

It's another National Trust property, and having recently joined, we're determined to make good use of our membership. So, despite a rather wet start to the day, we headed to Sudbury in Derbyshire to see what we could find.

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Essential access info (as of September 2026)

Prices: Adult £22 (£24.20 with Gift Aid); child aged 5–17 £11 (£12.10 with Gift Aid); family (two adults, up to three children) £55 (£60.50 with Gift Aid); one-adult family £33 (£36.30 with Gift Aid); under-fives and National Trust members free. Parking is also free.
Parking: The car park is around 460 metres from Visitor Services, with 20 designated disabled spaces (per the National Trust) and larger-than-standard bays throughout. Archie, a free wheelchair-accessible electric vehicle, runs between the car park and the property with no pre-booking needed.
Toilets: Accessible toilets are available, including a Changing Places toilet in the Stableyard.
Mobility: A ramp beside the entrance steps gives step-free access to the ground floor. The Children's Museum and café are newer and have lifts to all levels, but the historic Hall itself is step-free on the ground floor only — the upper floor and basement are reached by stairs, with no lift, and there are cobbles and areas of uneven ground in places. Wheelchairs can be borrowed.
Sensory: There's a sensory room in the Children's Museum — a quiet space to step away from noise and activity.
Visual impairment: Braille and large-print guides are available for the museum.

Prices and policies as we found them on our visit — always check with the venue before you go.

Getting from the car park

The car park is some distance from the house. We didn't notice any designated disabled spaces while we were there, although the National Trust says that there are 20 designated spaces for disabled visitors in the main car park.

What we did find was Archie!

Archie is the wheelchair-accessible electric vehicle used to transport visitors between the car park and the property. It's a free service and meant that we didn't have to start and finish our visit with the walk between the two.

John couldn't resist asking the driver, "Mr Driver, am I to guess your name isn't Archie?"

It wasn't. His name was Richard!

John and George are sitting next to each other onboard the accessible vehicle, Archie, that runs between the car park and the country house.
John and George sitting in Archie

Archie became even more useful at the end of our visit. On the return journey, Richard asked where we'd parked. Rather than simply dropping us back at the normal stop, he drove through the car park and deposited us literally in front of our van.

That was a lovely bit of extra help at the end of the day.

The Children's Museum

We used our National Trust membership to get in and started our visit in the Children's Museum.

One of the first things we found was a sensory room: a quiet space where people can get away from some of the noise and activity around them. Nobody was using it when we arrived, so we were able to have a quick look inside.

There is a black sign to the left that says "Sensory Room". The cameral is pointing inside and there is a soft play type area to be seen at the back, with some mirrors.
The entrance to the Sensory Room

The museum explores childhood through different periods, but it isn't simply a collection of things sitting behind glass. There are plenty of things to investigate and play with too.

One of the first things to catch our attention was an antique Galloper. This was no ordinary rocking horse. It had a lever with three different settings: ROCK, GALLOP and HUNT.

I'm not sure modern rocking horses offer quite the same level of choice!

John was also given a Braille guide to the museum. Although the guide had apparently hardly been used, some of the Braille had already become squashed, making it more difficult for him to read.

I suggested using Braillon, which is more durable and doesn't squash in the same way. It was the same suggestion I'd made when we visited Biddulph Grange, where we'd encountered a similar problem. The volunteer said she would feed the suggestion back.

What particularly impressed John was simply that the Braille guide existed. As he pointed out, it would be very easy for somewhere to decide that because something isn't used very often, it isn't worth providing.

The volunteer's response was simple:

"But we do need one, because everyone's welcome."

John is wearing his dark Meta glasses and a raincoat. He has a bag across his shoulder and is holding his long cane under his left arm. He has the Braille guide against his chest. His right hand is reading the dots and his left hand keeping his place.
John with the Braille guide.

Elsewhere in the museum, we walked through a dark recreation of the conditions in which children once worked underground. One display carried the words of eight-year-old Sarah Gooder, who gave evidence about working in a coal mine in the 1840s.

A black board showing Sarah Gooder's words. It says "Sometimes I sing when I've light but not in the dark; I dare not sing then. I don't like being in the pit."
Sarah Gooder's words

It was quite a contrast when the next thing we encountered was a full-size Dalek.

"Friend of yours here, John?"

"Who's my friend?"

The Dalek, obviously!

It had what looked remarkably like a sink plunger on one side and a whisk on the other.

At least it wasn't saying "EXTERMINATE!"

The top half of a Dalek. We can see its "sink plunger" and "kitchen whisk" arms, and it's eye on the stalk, pointing towards us
The Dalek

There were plenty more childhood memories and curiosities as we went around. We found BRIO Builder, optical toys and a View-Master – I had one of those – along with automata and other things from different generations.

And then John found the pirate ship.

Within seconds, a 6ft 2 man had apparently been replaced by a small child.

"Ahoy me matey! It's the pirates! Arrgh! Time to storm the seven seas! Swab the poop decks! Eat fish and chips! Arrgh!"

I'm not entirely sure where fish and chips fit into traditional piracy, but John seemed happy enough with his version.

A wooden pirate ship, with a red and white striped sail, and a skull and crossbones emblem in the middle if it.
The pirate ship before John started playing with it!

There was even a model train running on a track high above our heads, which we'd heard before we finally worked out where the noise was coming from.

Did someone mention rain?

We had intended to explore the gardens, but the weather wasn't exactly cooperating.

When we first went outside, it was raining again. John needed his hood up to keep his hearing aids dry, so we decided that exploring the gardens could wait.

Fortunately, the rain did eventually stop and we managed to get outside for a brief wander.

One of the first things we encountered was an enormous white bench.

It was also extremely wet.

We decided against acquiring wet bottoms in the interests of thorough research.

A large white bench is on the pathway. The seat of it is very clearly wet.
One of the giant, white benches

We did at least get a good look at the outside of Sudbury Hall and some of the grounds.

The back of a very large and grand looking country house. It has three floors, that are in view, and lots of windows.
The back of the house, which looks towards the lake.

There's considerably more outside than we managed to explore on this visit, so that's something left for another, hopefully drier, day.

Lunch – courtesy of the van

There is a café at Sudbury, with indoor and outdoor seating, and there are picnic benches outside too.

We'd brought a packed lunch with us and would normally have eaten outside, but the weather had other ideas.

So we went back to the van and ate our lunch there instead.

One advantage of bringing your own dining room with you!

Exploring Sudbury Hall

After lunch, it was time to explore the historic house itself.

There are steps leading up to the impressive main entrance, but there's also a ramp alongside them providing step-free access to the ground floor.

The steps into the hall, and the ramp for the final stepped part. The ramp to avoid these steps is to the right of the photo

Inside, one of the first displays we encountered was of Victorian children's clothing, including mourning clothes.

Sudbury also has its own tartan, which we found displayed on a loom.

Then we reached the Grand Staircase.

It really is grand, with elaborate carving and paintings surrounding the staircase and above your head.

John had a question.

"Can you feel the carving there?"

Well, yes.

"If you put yourself on stilts you can feel it, yeah!"

A grand, white staircase, with paintings going along the side. Underneath the stairs is another painting, with ornate carving around it.
Some of the paintings and carvings on one of the staircases.

There are plenty of reminders throughout the house that this is the Children's Country House. Alongside the historic interiors we found things such as a colourful world map rug, books and activities.

Then there was the Long Gallery.

It was, indeed, long.

Sometimes there's really not much more you can add.

The long gallery has paintings down the left side and windows on the right. The ceiling has ornate carvings
Looking down the Long Gallery

One of the volunteers explained that the house deliberately has a less pompous feel than you might expect from a country house. Children are welcome here, and that comes across throughout the visit.

Queen Adelaide's bedroom was rather more elaborate, with its four-poster bed and rich decoration.

A four poster bed with red covers and red curtains around it. The wallpaper behind it is also red.
Queen Adelaide's four poster bed, inside her bedroom.

Down to the kitchens

Eventually we made our way downstairs, where things became rather less grand.

We found the Pantry of Destruction before exploring the historic kitchen and pantry, complete with an old cooking range, kitchen equipment and all sorts of things that would once have been part of everyday life below stairs.

The bottom half of a large range cooker. There are two ovens and a place for the coal fire in the middle. Above each oven is a four ring hob. An old fashioned pressure cooker type pot is on the part of the oven above the coal fire.
Part of the range cooker

George found a fruit pie recipe and promptly took a photograph of it on his phone.

"Are you dropping a hint?"

I suspect I may find out eventually.

A large open book, open at a page showing the recipe for a fruit pie. The weights of the ingredients are in grams, so it is a modern take on an old recipe
The fruit pie recipe photographed by George.

How accessible is The Children's Country House at Sudbury?

We didn't notice designated disabled parking when we arrived, but according to the National Trust there are 20 designated disabled spaces in the main car park. The rest of the parking spaces are also larger than standard spaces.

The car park is around 460 metres from Visitor Services, which makes Archie particularly useful. The wheelchair-accessible electric vehicle provides a free transfer between the car park and the property, and you don't need to pre-book it.

On our visit, it worked extremely well – particularly when Richard took us right back to the van at the end.

There are accessible routes around the museum and café, into the gardens and through the ground floor of the Hall. The museum and café have lifts.

Accessible toilets are available, including a Changing Places toilet in the Stableyard, and wheelchairs can be borrowed. There are also Braille and large-print guides.

The historic nature of the property does mean there are cobbles, steps and areas of uneven ground in places.

For us, one of the most memorable accessibility moments wasn't a ramp or a lift, though. It was that simple response when we were talking about the Braille guide:

"But we do need one, because everyone's welcome."

That attitude matters too.

How much does Sudbury cost?

We used our National Trust membership, so admission was included for us.

At the time of writing, standard admission to Sudbury Hall, Museum and Garden is:

  • Adult: £22 (£24.20 with Gift Aid)
  • Child aged 5–17: £11 (£12.10 with Gift Aid)
  • Family – two adults and up to three children: £55 (£60.50 with Gift Aid)
  • One-adult family – one adult and up to three children: £33 (£36.30 with Gift Aid)
  • Under-fives: free
  • National Trust members: free

Parking is also free.

As always, prices and opening arrangements can change, so check the National Trust website before making a special journey.

So, what did we think?

The Children's Country House at Sudbury really is a very different sort of country house.

There's still plenty of history. You can explore the grand rooms of Sudbury Hall, see the staircase, Long Gallery, bedrooms, kitchens and collections.

But alongside all of that, you're encouraged to investigate and play.

There are things to touch, things to try and things that prompt conversations about childhood past and present. And if you're a 6ft 2 blind man who suddenly feels the need to become a pirate, apparently that's fine too.

The weather meant we didn't see nearly as much of the gardens as we might have liked, which gives us a good excuse to go back another time.

Preferably when it isn't raining!

🎬 Watch our full visit to The Children's Country House at Sudbury on YouTube:

Planning your own day out? See our full UK carer ticket and disabled admission directory — carer policies, disabled parking and access notes for every place we have reviewed.